Every so often a book comes along that manages to grab the reader by the throat. Wolfsangel by MD Lachlan is one of these. Set in the time and places of the Vikings, Wolfsangel combines history, myth and a coming of age story with great aplomb.
Although peopled with a wide variety of characters who's lives and culture are far removed from the modern day, Lachlan manages to make both his hero and anti-hero approachable.
A Viking king, concerned about the lack of an heir, visits the witches to discover his fate. He's sent off to steal a child, told by the witches that this will be his heir and prince. Instead, he discovers two boy in his raid. By taking both children, the king Authun, begins a series of events that will lead to disaster and death.
Wolfsangel ranges from the time of the children’s birth, jumps to their adolescence and then rapidly moves towards the denouement.
One of the boys, Prince Vali, is being fostered away from his father Authun and is unaware that he has been adopted. The other boy, who is never really named, has been fostered with a "wolf clan" – wild humans who live as animals far from all civilisation.
Vali is shallow and sensitive; he's not at all cut out to be the blood-thirsty Viking his father and the other men would like him to be.
First Vali is sent on a raid, packed in an open boat with a bunch of drugged-up Berserkers; in which he doesn't really acquit himself all that well. Still, he survives, which is something, but manages to make a deadly enemy, one who will come back to haunt him.
And Vali is in love; but with a local farm girl rather than the Princess he's betrothed to, the daughter of his host, a situation his hosting king is not happy with. So, Vali is packed off on a journey to prove his manhood; only to ensure his strength, he involves himself in a ritual.
Unbeknownst to Vali, the ritual opens him up to the machinations of the Witch Queen – the hideous child to whom his "father" had gone.
The Witch Queen is a chilling creation. Lachlan has gone to great lengths to ensure the reader understands how she managed to become the wizened, yet compelling, creature she is. For although her actions seem monstrous, the Witch Queen is in fact merely a child; sold by her family to the witches and molded into a vehicle for magic.
The gods of the Norsemen – Odin in particular – play a great part in Wolfsangel; and although the characters firmly believe in them, readers need not suspend disbelief completely. By setting the book in this period, Lachlan allows for historical veracity. Wolfsangel can be read as a historical novel, or as part of the fantasy or horror genres.
Each "magical" act is somehow explained, even if only by inference, as a natural occurrence. The visions the characters experience can be explained away by deprivation or drug use. In fact, once the "magic" is removed one realises just how desperate were the lives of early humans.
Of course they believed in gods and magic, they didn't really have a choice, they had to believe in something that would explain the deaths, pain and horror of their daily lives.
On his trek to prove himself Vali comes across a "wolf man", one of the wild humans, and manages to capture it. Dragging it back to the settlement, he suddenly finds himself in the middle of a raid and attempts to save his love and his friends.
But Vali's farm girl is taken and he finds himself forced to take action, setting out to find her.
In the final third of Wolfsangel, Lachlan brings together all the various storylines, twisting them together to make a somewhat Celtic knot of cause and effect, loyalty and betrayal, nobility and dishonour. The denouement is both sad and inevitable.
Life, as it really is, whether or not you have magic or believe in the gods, really is "nasty, brutish and short". Despite the vain attempts of kings and witches, fate can rarely be changed.
Wolfsangel by MD Lachlan is published by Gollancz and is available from good book stores and online.
Wednesday, July 28, 2010
Sunday, July 4, 2010
more raunchy regency romance in anna campbell's my reckless surrender
Anna Campbell is described as the 'Queen of Regency noir' on the blurb of her latest book, My Reckless Surrender, and that's exactly what she is.
The Australian writer has built a reputation for herself for a certain kind of racy, historical romance, centred on the Regency period in England. Her books are peopled by Dukes and Duchesses, Lords and Ladies, well-bred but poverty stricken heroines, and dark, brooding heroes.
In My Reckless Surrender, they're all there. You have Mrs Diana Carrick, a well-bred widow who needs to sell her soul to ensure the comfort of her aging father, thanks to the machinations of a nasty, dying Marquess.
Her anti-hero is the jaded Earl of Ashcroft, an excruciatingly handsome rake who happens to have something the threatening Marquess of Burnley wants.
Right from the start, My Reckless Surrender leaps into the raunchy sex, as Diana throws herself at the Earl attempting to get him to sleep with her. As the story continues, you discover why she's doing something that's completely against her upbringing, but the whole ridiculous scenario never seems entirely justified.
On her website Campbell points out her views that there's nothing wrong with a good romance book, she feels they are empowering for women and doesn't hold with modern feminist views that this sort of thing is 'supporting the patriarchal state'.
I'm not entirely sure I can agree with her on that point. All her heroines are supposedly strong women, trying to make their way in the world, using whatever wiles they have, but the moment a lord of some sort kisses them, they're all weak-kneed and tumbling into bed.
Romance novels like Campbells are fantasy – not a vampire or werewolf in sight, yet they are as unlikely as any supernatural story. There should be a genre of romantic fantasy or fantasy romance to describe books like My Reckless Surrender.
Not that there's anything wrong with a well-written, raunchy love story. It is, after all, just as escapist as any fantasy or science fiction work. But one would hope that some of the independence of urban fantasy heroines would rub off on these historical gals.
Still, Campbell is the queen of this genre. The historicity of her books can't be denied, nor can the sensuality. My Reckless Surrender is, like all her books, a quality escapist read for anyone who wishes some handsome Earl would come along and sweep them off their feet – even if it's just for a little while.
My Reckless Surrender by Anna Campbell is published by Avon, an imprint of HarperCollins, and is available from good book stores and online.
In My Reckless Surrender, they're all there. You have Mrs Diana Carrick, a well-bred widow who needs to sell her soul to ensure the comfort of her aging father, thanks to the machinations of a nasty, dying Marquess.
Her anti-hero is the jaded Earl of Ashcroft, an excruciatingly handsome rake who happens to have something the threatening Marquess of Burnley wants.
Right from the start, My Reckless Surrender leaps into the raunchy sex, as Diana throws herself at the Earl attempting to get him to sleep with her. As the story continues, you discover why she's doing something that's completely against her upbringing, but the whole ridiculous scenario never seems entirely justified.
On her website Campbell points out her views that there's nothing wrong with a good romance book, she feels they are empowering for women and doesn't hold with modern feminist views that this sort of thing is 'supporting the patriarchal state'.
I'm not entirely sure I can agree with her on that point. All her heroines are supposedly strong women, trying to make their way in the world, using whatever wiles they have, but the moment a lord of some sort kisses them, they're all weak-kneed and tumbling into bed.
Romance novels like Campbells are fantasy – not a vampire or werewolf in sight, yet they are as unlikely as any supernatural story. There should be a genre of romantic fantasy or fantasy romance to describe books like My Reckless Surrender.
Not that there's anything wrong with a well-written, raunchy love story. It is, after all, just as escapist as any fantasy or science fiction work. But one would hope that some of the independence of urban fantasy heroines would rub off on these historical gals.
Still, Campbell is the queen of this genre. The historicity of her books can't be denied, nor can the sensuality. My Reckless Surrender is, like all her books, a quality escapist read for anyone who wishes some handsome Earl would come along and sweep them off their feet – even if it's just for a little while.
My Reckless Surrender by Anna Campbell is published by Avon, an imprint of HarperCollins, and is available from good book stores and online.
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great gritty scottish noir from stuart mcbride's latest, dark blood
Dark Blood is classic Stuart McBride; it's gritty Scottish crime thriller at it's best. McBride has been compared favourably with Ian Rankin, and it's easy to see why.
There's DS Logan McRae, the burnt-out bitter Aberdeen cop with major issues; a very nasty piece of work in sex predator Richard Knox; sundry evil shites – crime bosses, thugs, snitches – and an irritating hard-nosed boss in DI Steel – a lesbian with a filthy mouth, pregnant wife and a thing for pissing Logan off.
All the elements of a good crime thriller are set up in the first pages of Dark Blood. Knox is being released into 'protective custody' in Aberdeen, having been released from jail in Newcastle.
The cops hate the idea of importing a dirty sex maniac, but they can't do anything about it. He comes with a cop of his own, DSI Danby from Northumbria Police, a man with his own agenda.
To top it all off, Logan is having nightmares left over from the last major case he worked on, may be an alcoholic and is probably about to loose his live-in girlfriend. Oh, and the local crime boss is calling him up and giving him money, only he can't think what he might have done to help him out.
McBride's writing is like those fabulous crime series you get on the BBC, it's all accents and local references, slang and grunts, so it can be a little hard-going for some readers. But if you skip past that, Dark Blood is a bit of a page-turner.
The disparate storylines eventually come together is a tightly-woven plot of betrayals, murders and random connections, before arriving at a fairly satisfying end.
If you enjoy a good thriller, and have a hankering for cold, grey, blustery Scotland, then Dark Blood is perfect. There's just enough characterisation to keep you interested in what happens to Logan and DI Steel, but not too much to take away from the action.
Dark Blood by Stuart McBride is published by HarperCollins and is available from good book stores and online.
All the elements of a good crime thriller are set up in the first pages of Dark Blood. Knox is being released into 'protective custody' in Aberdeen, having been released from jail in Newcastle.
The cops hate the idea of importing a dirty sex maniac, but they can't do anything about it. He comes with a cop of his own, DSI Danby from Northumbria Police, a man with his own agenda.
To top it all off, Logan is having nightmares left over from the last major case he worked on, may be an alcoholic and is probably about to loose his live-in girlfriend. Oh, and the local crime boss is calling him up and giving him money, only he can't think what he might have done to help him out.
McBride's writing is like those fabulous crime series you get on the BBC, it's all accents and local references, slang and grunts, so it can be a little hard-going for some readers. But if you skip past that, Dark Blood is a bit of a page-turner.
The disparate storylines eventually come together is a tightly-woven plot of betrayals, murders and random connections, before arriving at a fairly satisfying end.
If you enjoy a good thriller, and have a hankering for cold, grey, blustery Scotland, then Dark Blood is perfect. There's just enough characterisation to keep you interested in what happens to Logan and DI Steel, but not too much to take away from the action.
Dark Blood by Stuart McBride is published by HarperCollins and is available from good book stores and online.
classic high fantasy from kevin j anderson's the map of all things, book 2 in the terra incognita series
Kevin J Anderson returns to the world of Terra Incognita with the second book in the series, The Map of All Things. Like his book, The Edge of the World, this is classic fantasy – a created world with warring kingdoms, opposed religions, heroes and heroines, more characters than you can poke a stick at, ancient foundation myths and even sea monsters.
The empires of Tierra and Uraba are polar opposites – the were originally descended from two brothers, sons of a god-like character, but now they are at war as each nation attempts to prove that their brother is the better of the two.
In the first book you have the set-up, you are introduced to both sides equally with neither being painted good or evil, each empire has redeeming features and each has it's atrocities. Things come to a head, however, as the one central place of worship – a small strip of land that separates the two continents – is destroyed, mostly by accident, but with each side blaming the other.
So, it is war. As the violence escalates readers see, again, that neither side is all good, nor all bad, and the sheer futility of their behaviour becomes more and more apparent in The Map of All Things.
The parallelles with our own world – Israel anyone? – are so obvious that one feels as though Anderson is hitting you in the face with his massive tome.
In the first book you have the set-up, you are introduced to both sides equally with neither being painted good or evil, each empire has redeeming features and each has it's atrocities. Things come to a head, however, as the one central place of worship – a small strip of land that separates the two continents – is destroyed, mostly by accident, but with each side blaming the other.
So, it is war. As the violence escalates readers see, again, that neither side is all good, nor all bad, and the sheer futility of their behaviour becomes more and more apparent in The Map of All Things.
The parallelles with our own world – Israel anyone? – are so obvious that one feels as though Anderson is hitting you in the face with his massive tome.
Even the culture and weather match up – Tierrans are white northerners (Christian Europeans), while the Urabans are swarthy southerners (Muslim Middle Easterners).
Yes, yes, we get it. Religious wars are stupid.
Unfortunately, as in the real world, so in fantasy. Neither side appears at all interested in ending the bloodshed. Sometimes for political reason – they fear the toppling of their power – sometimes for personal reasons – the death of a beloved – and so, the war slogs on.
There is one race, however, that is removed from total involvement in the religious war. The Saedran people believe themselves to be descendants of the original god, Ondun, and so are not caught up in the war between the Tierran Aidenists – followers of Aiden – and the Uraban Urecari – followers of Urec.
The Saedrans are the map-makers, chartists, scientists and doctors of Anderson's world, and it is they who are behind the attempt to create the 'map of all things' of the book's title.
As the war drags on, the leaders of each empire decide, independently, to send out voyages of discovery in search of their original homeland, Tierravitae.
Each group has a supposed 'map' to this mythical place and the belief that if they get there first, they'll prove that their religion was the 'right' one and all others are false.
This is just a very simple outline of the plot. The Map of All Things is a finely crafted, high-detailed read; Anderson's world is beautifully imagined and his plots are intricate.
One cannot read The Map of All Things without first having read The Edge of the World, but it's well worth doing so. This is high fantasy for lovers of adventure and character-driven plots; well worth getting your teeth into.
The Map of All Things by Kevin J Anderson is published by Orbit Books and is available from good book stores and online.
Unfortunately, as in the real world, so in fantasy. Neither side appears at all interested in ending the bloodshed. Sometimes for political reason – they fear the toppling of their power – sometimes for personal reasons – the death of a beloved – and so, the war slogs on.
There is one race, however, that is removed from total involvement in the religious war. The Saedran people believe themselves to be descendants of the original god, Ondun, and so are not caught up in the war between the Tierran Aidenists – followers of Aiden – and the Uraban Urecari – followers of Urec.
The Saedrans are the map-makers, chartists, scientists and doctors of Anderson's world, and it is they who are behind the attempt to create the 'map of all things' of the book's title.
As the war drags on, the leaders of each empire decide, independently, to send out voyages of discovery in search of their original homeland, Tierravitae.
Each group has a supposed 'map' to this mythical place and the belief that if they get there first, they'll prove that their religion was the 'right' one and all others are false.
This is just a very simple outline of the plot. The Map of All Things is a finely crafted, high-detailed read; Anderson's world is beautifully imagined and his plots are intricate.
One cannot read The Map of All Things without first having read The Edge of the World, but it's well worth doing so. This is high fantasy for lovers of adventure and character-driven plots; well worth getting your teeth into.
The Map of All Things by Kevin J Anderson is published by Orbit Books and is available from good book stores and online.
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ann aguirre's blue diablo brings new dimension to overcrowded urban fantasy genre
For lovers of urban fantasy, Ann Aguirre's Blue Diablo is the first in a new series – the Corine Solomon series – that looks set to bring a new dimension to the already overcrowded genre.
Unlike the usual type of urban fantasy there aren't any vampires or werewolves – thank goodness – but there is magic and mayhem a plenty, and a bit of love interest as well. But so far no raunchy sex, which is actually a good thing, considering it's everywhere else.
Corine Solomon is what's called a 'handler', when she touches objects a certain way she can read information about who had held it previously, what they were feeling or doing and the history of the thing they held.
Unfortunately, it's not an easy skill to have, and although she had previously used her talent to help people, she'd eventually burned out after a number of harrowing experiences with murders, rapists etc.
So, she's run away to Mexico to hide from her previous life and try to regain her sanity. Unfortunately, her peace is disrupted by her ex, a guy called Chance who has a talent for being unbelievably lucky. His mother has gone missing, and he needs Corine to help him find her.
Naturally there's plenty of sexual tension, but Corine doesn't jump into bed with him, she's more concerned about getting trapped in her old life, and with finding Chance's mother, whom she loves.
From the opening set-up, Aguirre just pushes the pace along, adding characters and back story in a jumble of new faces and histories, as well as setting up her world.
There are lots of references to traditional South American practices, voodoo, Native American magic and myth, as well as the usual round up of remote viewing, mediums, witches and possible devil or demon worshippers.
Wrapped up in the fantastic is a solid whodunit, with human trafficking, the Mafia, drug and gun running and a side attraction to a very helpful policeman.
All in all, Aguirre manages to mix her magic, mayhem and material into a nice read; the plot is twisted enough to be interesting without being confusing, the characters slowly develop and the action is well-written.
Touches of Mexicana in the food, drinks, language and culture, all add a nice difference to Blue Diablo, making it a solid first book in a series that looks set to do well; it's already won the PEARL Award , which bodes well.
Corine Solomon is what's called a 'handler', when she touches objects a certain way she can read information about who had held it previously, what they were feeling or doing and the history of the thing they held.
Unfortunately, it's not an easy skill to have, and although she had previously used her talent to help people, she'd eventually burned out after a number of harrowing experiences with murders, rapists etc.
So, she's run away to Mexico to hide from her previous life and try to regain her sanity. Unfortunately, her peace is disrupted by her ex, a guy called Chance who has a talent for being unbelievably lucky. His mother has gone missing, and he needs Corine to help him find her.
Naturally there's plenty of sexual tension, but Corine doesn't jump into bed with him, she's more concerned about getting trapped in her old life, and with finding Chance's mother, whom she loves.
From the opening set-up, Aguirre just pushes the pace along, adding characters and back story in a jumble of new faces and histories, as well as setting up her world.
There are lots of references to traditional South American practices, voodoo, Native American magic and myth, as well as the usual round up of remote viewing, mediums, witches and possible devil or demon worshippers.
Wrapped up in the fantastic is a solid whodunit, with human trafficking, the Mafia, drug and gun running and a side attraction to a very helpful policeman.
All in all, Aguirre manages to mix her magic, mayhem and material into a nice read; the plot is twisted enough to be interesting without being confusing, the characters slowly develop and the action is well-written.
Touches of Mexicana in the food, drinks, language and culture, all add a nice difference to Blue Diablo, making it a solid first book in a series that looks set to do well; it's already won the PEARL Award , which bodes well.
Blue Diablo by Ann Aguirre is published by Gollancz and is available from good book stores and online.
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another urban fantasy with vampires and werewolves, this time set in australia; moon sworn by keri arthur
One of Australia's most prolific writers of urban fantasy, Keri Arthur has released another in her Riley Jenson Guardian series, Moon Sworn.
Like the majority of books in this genre, the Guardian series has a feisty, supernatural, female protagonist; baddies who are also supernatural; a shadowy government organisation of some sort which allows said protagonist to literally get away with murder; and a bit of raunchy sex.
Ho hum, yet another urban fantasy that seems as though it's been cut from the same cloth as all the others out there. Which is such a shame as Arthur isn't a bad writer.
What the Riley Jensen series does have going for it is that unlike the majority of the other books and series in this genre, it's actually set in a country other than America. Arthur has based the books in her hometown of Melbourne, Australia, making the setting, at least, more interesting.
Riley, the said heroine, is a half vampire, half werewolf – yep, two for the price of one – who works for the Guardians, ie. The shadowy government organisation that keeps all the other supernaturals in check.
She's in love with a handsome, and powerful, vampire (of course) and he loves her and they're always interested in having a bit of raunchy sex … yawn.
Added interest – Riley has a brother who's gay, yay, something slightly different. But no, he's also in a loving relationship with another sexy vampire. Again, yawn.
So, the basic premise is fairly ordinary. Still, Moon Sworn isn't a bad read. This time around some of Riley's previous escapades come back to haunt her and she ends up stuck in the middle of outback Australia with bits missing from her memory and a sneaking suspicion that some thing's wrong. Of course.
Ideally you really need to have read the other eight books in the series to really know what's going on, and to understand why the guy who took her memory and dumped her in the outback did it.
Riley manages to find herself in the middle of a murder investigation, which helps her remember bits and pieces about who she is and how she got in the mess she's in. Eventually, she works it all out, is reunited with the love of her life and sorts out some family business fairly thoroughly.
And that's about it. If Arthur put her mind to it, she could easily be a very good author. Her books aren't bad, it's just that there are so many of the same genre over-stocking the bookshelves at the moment. It's as though every author in the world decided to jump on the Twilight bandwagon at exactly the same time.
Unfortunately for authors like Arthur, there's much better stuff out there already, and has been for some time. Classic Anne Rice and the long-running series from Laurell K Hamilton, Anita Blake: Vampire Hunter, as well as Charlaine Harris' Sookie Stackhouse novels.
But, if you love the genre – and like many, I still do – you'll enjoy the differences in Arthur's books that make them worth picking up. After all, it could be worse, you could be reading the Twilight series.
Ho hum, yet another urban fantasy that seems as though it's been cut from the same cloth as all the others out there. Which is such a shame as Arthur isn't a bad writer.
What the Riley Jensen series does have going for it is that unlike the majority of the other books and series in this genre, it's actually set in a country other than America. Arthur has based the books in her hometown of Melbourne, Australia, making the setting, at least, more interesting.
Riley, the said heroine, is a half vampire, half werewolf – yep, two for the price of one – who works for the Guardians, ie. The shadowy government organisation that keeps all the other supernaturals in check.
She's in love with a handsome, and powerful, vampire (of course) and he loves her and they're always interested in having a bit of raunchy sex … yawn.
Added interest – Riley has a brother who's gay, yay, something slightly different. But no, he's also in a loving relationship with another sexy vampire. Again, yawn.
So, the basic premise is fairly ordinary. Still, Moon Sworn isn't a bad read. This time around some of Riley's previous escapades come back to haunt her and she ends up stuck in the middle of outback Australia with bits missing from her memory and a sneaking suspicion that some thing's wrong. Of course.
Ideally you really need to have read the other eight books in the series to really know what's going on, and to understand why the guy who took her memory and dumped her in the outback did it.
Riley manages to find herself in the middle of a murder investigation, which helps her remember bits and pieces about who she is and how she got in the mess she's in. Eventually, she works it all out, is reunited with the love of her life and sorts out some family business fairly thoroughly.
And that's about it. If Arthur put her mind to it, she could easily be a very good author. Her books aren't bad, it's just that there are so many of the same genre over-stocking the bookshelves at the moment. It's as though every author in the world decided to jump on the Twilight bandwagon at exactly the same time.
Unfortunately for authors like Arthur, there's much better stuff out there already, and has been for some time. Classic Anne Rice and the long-running series from Laurell K Hamilton, Anita Blake: Vampire Hunter, as well as Charlaine Harris' Sookie Stackhouse novels.
But, if you love the genre – and like many, I still do – you'll enjoy the differences in Arthur's books that make them worth picking up. After all, it could be worse, you could be reading the Twilight series.
Moon Sworn by Keri Arthur is published by Piatkus, an imprint of Little, Brown Book Group and is available from good book stores and online.
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Sunday, June 27, 2010
halfway to the grave by jeaniene frost is another vampire urban fantasy romance but it's not too bad
Halfway to the Grave by Jeaniene Frost is another step in Gollancz' push to be the home of all urban fantasy romance, and the first in Frost's Night Huntress series.
Yet again, readers, we have a feisty female character with a touch of the supernatural – this time she's half vampire – and a bad boy vampire who's really got a heart of, well, you know the story.
Which is such a shame really, because Frost isn't a bad writer and the plot is a bit more punchy than the usual run of guff that's overflowing the bookshelves at the moment.
Still, urban fantasy romance obviously sells – yes, yes, we all have that nasty Twilight stuff to thank for this, despite the fact that the real genre is so much better; Laurell K Hamilton, Charlaine Harris and Anne Rice for example – so Gollancz keeps publishing it.
And I shouldn't really complain as I love the genre as much as the next person, but there's good stuff, great stuff and very little that will become classic stuff.
Frost is, at least, good. Catherine 'Cat' Crawfield is a girl with a major chip on her shoulder. Her father was a vampire, her mother was raped as a teen and has been damaged beyond repair by a judgemental town, repressed parents and a fear that he'll return.
But at least she loves her daughter, although she's taught Cat to hate half of herself and expects her to go out and murder people, sorry vampires, when she's not studying to get into college.
Cat's been lucky so far, she's managed to kill off a number of vamps without anything too bad happening to her, but all that is about to change. Instead of picking up the usual blood-hungry, horny vampire at the local bar – as a prelude to stabbing him with a stake – Cat gets another hunter.
Oh, he's a vampire alright, but he's also a vampire hunter. So, Cat's caught in a bind; should she learn from him or keep trying to kill him? Needless to say, said vampire is hot and Cat's trying not to be interested, after all, ALL vampires are evil, right?
Frost manages not to make Halfway to the Grave too teenage-angst, but again it's essentially a romance with some fangs, stakings and learning how to fight. But the plot has a twist and additions like people-smuggling and a shadowy government organisation add spice to the storyline.
If you like the genre, and let's face it, who doesn't at the moment, Halfway to the Grave is not a bad example, and like many of these books, it's the first in a series so you know you'll have something to read for a while yet.
Halfway to the Grave by Jeaniene Frost is published by Gollancz and is available from good book stores and online.
Yet again, readers, we have a feisty female character with a touch of the supernatural – this time she's half vampire – and a bad boy vampire who's really got a heart of, well, you know the story.
Which is such a shame really, because Frost isn't a bad writer and the plot is a bit more punchy than the usual run of guff that's overflowing the bookshelves at the moment.
Still, urban fantasy romance obviously sells – yes, yes, we all have that nasty Twilight stuff to thank for this, despite the fact that the real genre is so much better; Laurell K Hamilton, Charlaine Harris and Anne Rice for example – so Gollancz keeps publishing it.
And I shouldn't really complain as I love the genre as much as the next person, but there's good stuff, great stuff and very little that will become classic stuff.
Frost is, at least, good. Catherine 'Cat' Crawfield is a girl with a major chip on her shoulder. Her father was a vampire, her mother was raped as a teen and has been damaged beyond repair by a judgemental town, repressed parents and a fear that he'll return.
But at least she loves her daughter, although she's taught Cat to hate half of herself and expects her to go out and murder people, sorry vampires, when she's not studying to get into college.
Cat's been lucky so far, she's managed to kill off a number of vamps without anything too bad happening to her, but all that is about to change. Instead of picking up the usual blood-hungry, horny vampire at the local bar – as a prelude to stabbing him with a stake – Cat gets another hunter.
Oh, he's a vampire alright, but he's also a vampire hunter. So, Cat's caught in a bind; should she learn from him or keep trying to kill him? Needless to say, said vampire is hot and Cat's trying not to be interested, after all, ALL vampires are evil, right?
Frost manages not to make Halfway to the Grave too teenage-angst, but again it's essentially a romance with some fangs, stakings and learning how to fight. But the plot has a twist and additions like people-smuggling and a shadowy government organisation add spice to the storyline.
If you like the genre, and let's face it, who doesn't at the moment, Halfway to the Grave is not a bad example, and like many of these books, it's the first in a series so you know you'll have something to read for a while yet.
Halfway to the Grave by Jeaniene Frost is published by Gollancz and is available from good book stores and online.
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