the world of the downside ghosts returns in stacia kane's unholy magic & city of ghosts

American author Stacia Kane continues her Downside Ghosts series with the second and third in the series, Unholy Magic and City of Ghosts. 

Readers are returned to the post-apocalyptic world of Chess Putnum, a church 'witch', able to see the ghosts that returned to plague the world and bring about the end of life as we know it. 

In Unholy Ghosts, the first book, readers were introduced to a new fantasy world where ghosts and magic are real; the Church of Real Truth runs the country and people try to get by as well as they can.

Read my review of Unholy Ghosts: Unholy Ghosts by Stacia Kane is fresh urban fantasy with a gritty, sideways feel

As always, however, there's an underside, a “downside” to society, and it's in this fringe world that Chess exists. Oh, and while Chess is nominally the heroine of these tales, she's no squeaky clean princess with powers – Chess is from the wrong side of the tracks, she's a Downsider, and she's a junkie. 

Her drug habit has gotten Chess into trouble before, walking the knife's edge of respectability to keep her Church job, while dealing with her local drug lord on the one hand and sleeping with the opposition, on the other. 

And in the middle is a great, big, ugly enforcer who is smarter than he looks and cares more for Chess than she'd like to admit. 

In Unholy Magic, Chess finds herself working with a VIP who may, or may not, be faking a haunting – a criminal offence with the Church; at the same time someone – or something – is killing prostitutes in Downside and Bump, Chess' dealer, wants her to make sure it's not magically linked. 

On top of this, Chess' feelings for Terrible – Bump's enforcer – are all confused, while her “just having sex, we're not in a relationship” with Lex – Bump's opposition – seems to be getting a little too heavy. 

Then there's the false medium that Chess helped put away – but some thing's not quite right there either – and the City of Ghosts is even more unsettled than it should be, despite the fact that it's almost the anniversary of the Rising – the time when the ghosts returned to the world to wreak their vengeance. 

Kane's world is thoroughly detailed and comprehensive – there are enough resonances with our current world to ensure the readers have something to hold on to; a sign of a quality piece of urban fantasy writing. 

As City of Ghosts opens, Chess is attending the execution of an unlicensed medium involved in the illegal use of magic; she's still recovering from her run in with the ghost whorehouse and bringing Terrible back to life with an ill-considered and possibly illegal rune – and he still won't talk to her. 

Before she's completely recovered from her last nasty experience, another one opens up inside the Church, and once again Chess is thrown into the thick of things. 

Her previous “successes” have made the Church think she's great at her job, so great that they second her to the Black Squad – the Church's secret service – and force her to not only be bound by an unbreakable and painful spell, but even worse, stick her with a partner – the head of the damned Church's daughter no less. 

On top of all this, to add insult to injury, Terrible finally found out about Lex and now he hates Chess, but he's the only person who's going to be able to help her out of the mess she's now involved in. Oh, and the Lamaru – the original anti-Church baddies from the first book – are back. Only this time they've got something even bigger in mind; they want to release the ghost from the Eternal City. 

Kane manages to keep the action pounding along in both Unholy Magic and City of Ghosts, not losing anything to developing the characters. Readers discover more about Terrible, he's not quite as bad as he wants people to think, and Lex turns out to be someone much more important than Chess thought he was. 

Chess' problems with men pale almost into insignificance when held up against her drug addictions; readers also discover just how badly hooked she really is, but are given some more insight into way Chess needs to self-medicate so badly. 

In some ways Chess' addictions balance out her skills in magic, and control them at the same time. And the addictions also help her hold it together, oddly enough. Like many children of foster homes and broken families, at the centre of Chess is a great, gaping hole of loneliness and self-loathing just waiting to implode and drag her down. The drugs allow Chess to ignore that danger, walling it up behind chemically created emotions that are much easier for her to deal with. 

The insight into Chess, her inability to enjoy intimacy, her need to replace caring with sex, also explains her mixed up feelings for Terrible. Kane's skill in blending these sharp observations about drug abuse and emotional trauma with an action-packed thriller and supernatural trappings is what makes these books so readable. 

Chess is the perfect anti-heroine; the antidote to the soppy, love obsessed teens dominating the urban fantasy genre at the moment. There's not a vampire or werewolf in sight – thank god – and the gritty truth of Chess' life adds depth to what could be dismissed as “just another fantasy novel”. 

There are more books in the Downside Ghosts series to come; I can't wait.

Unholy Magic and City of Ghosts by Stacia Kane are published by Harper Voyager and are available from good book stores and online.

new australian writer honey brown looks into the dark of the human psyche

Australian author Honey Brown burst onto that country's literary scene with the tightly written and terrifyingly plotted Red Queen in 2009.

The book won an Aurealis Award for Best Horror Novel, was short-listed for the Australian Shadows Award and won a Highly Commended from the FAW Awards.
Now Brown has released The Good Daughter, a novel that doesn't fit into her first genre, but is as well-written and beautifully constructed as the first.

Interestingly it was a freak accident on a farm – she broke her back – that set Brown on her literary path, and despite being confined mostly to a wheelchair and caring for two young children and a farm, she has already finished a third book, with a fourth on the way.
Prolific, yes, but Brown's writing is also very good.
In Red Queen two ordinary men, brothers, find themselves isolated on a hidden property – loosely based on Brown’s own land in rural Victoria – after a deadly virus has broken out across the globe.
The tensions of a sibling relationship are heightened when an unknown woman enters their lives; the elder brother, Rohan, is cut from the typical cloth of a working class Australian man. He is taciturn, separated from his feelings and overly protective of Shannon, the younger brother.
Shannon is a dreamer, he still yearns for his dead parents and the carefree university life he had before the "Red Queen" virus arrived. Rohan, on the other hand, quite likes the hardship of proving himself a man in their daily struggle to survive.
The interloper upsets the brothers' uneasy balance; naturally adding sex to the mix – the boys have been in the bush for a long time, after all.
Brown cleverly mixes these three characters, giving away only small pieces of information so the reader is left waiting to know more, totally unconcerned that there are only three characters in the story.
The plot twist in the denouement is surprising, although a little too altruistic. But Red Queen is the sort of book one can happily describe as literary fiction, while at the same time recommend to your friends who only read thrillers.
The Good Daughter, Brown's second book, is similar in its tight plot, limited character pool and outback Australian setting, but entirely different in its perspective.
Rebecca is the daughter of the title, a teenager from the wrong end of town with a slightly unhealthy interest in the richest boy in the district, Zach.
She also has her mother's reputation to live up to – should she choose her dead mum's rather loose ways or the same woman's heroic acceptance of death from cancer?
Zach has his own problems; his family may be rich but his mother is crazy according to his gruff, aggressive farmer father. And Zach's beginning to think that maybe, just maybe, insanity runs in the family.
Added to the mix is a bastard – Zack's father's by-blow. Suave for the small country town, Aden is a charming rogue who's out to get what he can.
Then Zack's mother disappears, and the last person to see her is Rebecca.
The Good Daughter is a portrait of modern, country Australia: The isolation, the small-town nosiness and censure, the lack of work, the drugs and the depression.
But it also shows some of what can be good about the same place and people – acceptance, warmth and family.
Still, for first time readers of Australian fiction, The Good Daughter doesn't paint a particularly rosy picture.
Brown is obviously a writer to watch. She is part of the Australian tradition of strong female authors who centre their work in their daily lives, but manage to turn the ordinary into the sublime with just the placement of a few words and an ability to look into the dark of the human psyche.

Red Queen and The Good Daughter by Honey Brown are published by Viking, an imprint of Penguin Books Australia, and are available from good book stores and online.

nalani singh's slave to sensation and visions of heat from her psy-changeling series offer romantic urban fiction with a little bit of bite

Slave to Sensation and Visions of Heat are the first two books in Nalani Singh's 'Psy-Changling' series of books – of which there were seven at last count.

Singh – who was born in Fiji and brought up in New Zealand – is one of Gollancz' latest stars. Her first two books in the new Guild Hunter series, Angels' Blood and Archangel's Kiss, were the first of her novels I read and reviewed; and I liked them, quite a lot.
The Guild Hunter series rotates around Angels and vampires – yes, yes, more damn vampires – but at least the addition of Angels who act like humans ie. Fight among themselves, fall in love with humans and generally ignore most of the religious connotations of their literary history, are different enough to be interesting.
In the Psy-Changling series Singh has done a similar thing – take one established urban fantasy trope and add something new to the mix. So, we've got werepanthers, rather than werewolves, and the 'Psy' as the new idea.
The Psy are humans, kind of, who basically had 'psy' talents like telepathy, telekinesis, farseeing, foreseeing etc but who decided that all emotions should be done away with.
So, we've got terribly smart, organised, mentally powerful beings without any love, lust, hatred or joy. Basically human-shaped machines who love making money.
The Changelings are the opposite – humans in touch with their animal natures – so lots of love, lust, anger and joy.
Naturally the stories – in both books – focus on a cold-hearted Psy running into a hot-blooded Changeling and opposites attracting.
In Slave to Sensation, Sascha Duncan is a Psy who thinks she's losing her mind; she keeps 'feeling' things that she shouldn't, like emotions. Her Changeling is Lucas Hunter, a local property developer who's a werepanther and amazingly attracted to Sascha's cold demeanour. Of course, she's beautiful and he's hot, so what do you expect is going to happen?
Like many of the current crop of Gollancz urban fantasies, Singh's books are basically romance novels wrapped in a pretty fiction of the supernatural – there are any number of successful authors and publishers out there who are milking this 'Twilight' trend for all it's worth, after all.
Thankfully, Singh can actually write (unlike others, particularly the aforementioned Twilight author) and her plots include a bit more than soulful gazing/boy-meets-girl/'yes, dear, I'm a vampire/werewolf/angel' motif we've come to expect.
While Sascha and Lucas sniff around each other, something nasty is going on in the Changeling world – another young woman has gone missing. She's the latest in a long series of missing Changelings who turn up dead and mutilated. Lucas, as pride leader, has been tracing the murders around America and thinks Sascha's group of Psy might be involved.
So, at least this series has a bit of action to differentiate it from the usual run-of-the-mill stuff out there. Yes, the romance blossoms and Sascha realises that there's nothing wrong with her, she's actually some kind of super Psy throwback, who's talent has been suppressed by her people, and Lucas manages to discover the murder, before they settle down happily ever after.
Visions of Heat continues the storyline, including the characters of the first book, but focusing on a new male Changeling in need of a 'mate'. Oh yeah, the animal clichés are fairly strong.
This time it's Vaughan D'Angelo, who is actually a werejaguar instead of a panther, in need of romance and his Psy is the hyper-sensitive Faith NightStar, a valuable commodity with the ability to see the future.
Like the first book, Visions of Heat carries on the underlying plot of madness in the Psy culture, with Faith being dogged by dark dreams of murder and torture as another Psy mind manages to latch on to hers.
Naturally enough, Vaughan's animal nature is able to protect her from the dreams, and with Sascha and Lucas, he fights to save Faith from being dragged into madness, while at the same time falling in love, of course.
These books aren't high literature but they are fun reads. The twists to the typical urban fantasy fodder make Singh's books much more palatable than much of the pap that's being published these days.
Personally I prefer her Guild Hunter series, it's more urban and grittier, with less traditional romance and more blood, guts and politics. But for readers who enjoy a good love story with feisty women, strong men and true love, then Slave to Sensation and Visions of Heat are great reads. What's more, there are five more books in the series, so your holiday reading is sorted.

Slave to Sensation and Visions of Heat by Nalini Singh are published by Gollancz and are available from good book stores and online.

a new theme in urban fantasy; non-religious angels and archangels from nalini singh

Hard on the heels of Lyndsay Sands' Argeneau vampire novels comes a new series from New Zealander Nalini Singh from the same publisher and with the same overall marketing concept – supernatural romance.

Luckily in Singh's books, the vampires have been replaced by angels and archangels. Oh, there are vampires as well, and vampire hunters – who work for the angels because in this world vampires are actually made by angels.

How the angels got to be involved in our everyday world and where they originally came from and whether or not they have any relation to god, is never explained. One simply accepts that in Singh's world, the angels make vampires, the vamps work for the angels and the archangels run everything.
So, once you're over that bit of illogic, the story unfolds from the perspective of a Guild Hunter, Elena Deveraux.
Elena is a 'born Hunter', which means that she's a bit stronger, a bit faster and has an uncanny ability to track vampires by scent alone. She's beautiful (of course), tough and oh-so-slightly emotionally damaged. Just how damaged becomes more and more apparent as her adventure unfolds.
Being one of the best at what she does, Elena ends up with a contract to hunt down a being for the Archangel of New York, Raphael. Yep, some of the names are reminiscent of real life.
Raphael (of course) is heart-thumpingly handsome, aloof, awe-inspiring – he's got golden-tipped wings after all – and dangerous. He once broke every bone in a vampire's body and left him in the middle of the city for days; the vampire was still alive.
So, Elena naturally finds herself attracted to Raphael, but she's damn sure she's not going to give in and become Raphael's lover and human pet. At least, that's what she keeps telling herself.
As for the job she's been hired to do, Elena discovers that it's not a normal vampire hunt, this one is far more dangerous and secretive – if any of her friends or family find out who she's actually hunting, Raphael will kill them.
Angel's Blood introduces Singh's new fantasy world with detail, action, emotional turbulence and romance. These are urban fantasy romance novels after all. However, unlike Lyndsay Sands' series, these books have a lot more action... dare I say, a lot more bite.
Raphael is not some "ordinary bloke wrapped in a fantasy skin", he is a contradiction of awesomely powerful being, vulnerable man and inscrutable ruler. He is ruthless and he is violent, but he is immensely loyal and has an enormous capacity to love – even if that love is so powerful as to smother those who receive it.
Elena is tough, independent, resourceful and desperate to hang on to not only her humanity, but also the terrible things in her past that have made her who she is. Like Raphael, she is a mix of good and bad, full of contradictions, but these are the qualities that make Singh's characters more complex and more interesting for the reader.
Unlike Sands' stories, Angel's Blood and Archangel's Kiss are not single-book stories, nor are they all wrapped up happily ever after plot endings. Singh's books are much more of the traditional fantasy format, with each book adding to the story. The books are also much more interesting in general.
I love a good vampire story as much as the next fantasy reader, but even I have become a little bored with the ubiquitous nature of vampires in popular culture. Angels as non-religious, non-pious beings who have sex, scheme, manipulate and fall in love are new.
Thankfully Singh has a great turn of phrase as well; she is a good writer. The recurring theme of Elena's nightmares and how it's written, for example, adds a sense of tension across the plot lines of both books, with an eventual denouement in Archangel's Kiss. A tightness of prose that is missing in many of this genre's newest authors.
So, if you're looking for something new in the genre of urban fantasy, give Singh's series a go. You won't be bored, and you may even find yourself a new favourite author.

Angel's Blood and Archangel's Kiss by Nalini Singh are published by Gollancz and are available from good book stores and online.

Read my review of Lyndsay Sands' latest novel: Clichés abound in Lyndsay Sands' latest Argeneau novel

heap of reviews coming soon... including robin hobb's dragon haven, horns by joe hill, carrie vaughan's kitty series & reviews of giant robot, yen & surface magazines + more

I've been so busy with actual work lately - the kind that pays the bills - that I haven't had a chance to get to review all the books I've read over the last week or so. I've also got a couple of great magazine reviews to do as well.
On my list are:
Dragon Haven by Robin Hobb - this is the second book in the Rain Wilds Chronicles and it's every bit as good, if not better, than the first book of the series. I actually read it entirely in one sitting, until about 6am in the morning - on a work night!
Kitty's House of Horrors by Carrie Vaughan - the next book in the 'Kitty the werewolf radio host' series of stories. Yep, a werewolf called Kitty, ironic, right? This is typical Vaughan; great urban fantasy easy-read.
The Elusive Bride by Stephanie Laurens - completely gooey historical romance; although you could say there's a touch of fantasy to it as well since the very posh bride gets a bit more raunchy than you'd think during the British Raj! Lots of fun to read, though. It's part of Laurens' Black Cobra Quartet.
Horns by Joe Hill - oh, the magnificent Joe Hill! This is a great urban horror story with a touch of grunge, a bit of sex, the devil, snakes and family relationships... Awesome!
As for the magazines ... have just discovered Giant Robot, a Japanese pop culture, art, music, fashion mag from the US, in ENGLISH! I so wish I could read Japanese. Still... this mag is great. Unfortunately though, like a lot of print publications at the moment, it's being threatened with closure if they can't get some cash through the door. So, they've very cleverly asked their supporters and readers for donations. Go to http://giantrobot.com/donate and leave them something. We've got to support all the magazines we can! You can buy Giant Robot at Borders in Singapore; there are six issues a year and you can subscribe via the website.
Also in my magazines to read pile is the latest issue of Yen. This is another funky mag with a Japan / Asia edge to it. Great photo spreads and interesting, quirky left of field content. It's also available from Borders and is published in Australia.
And... got a copy of Surface; the "new version". I have to say, I preferred this mag back in the day when it had a bit more meat to it. I appreciate that times are difficult now, but what used to be a substantial read has been reduced - both in content pages and paper thickness - to a mere shadow of it's original self. Still, great photography and quirky content.
On top of the magazines, I've got a couple of books on the go as well ...
The Dead-Tossed Waves by Carrie Ryan - this is the second book from Ryan set in a world that's been invaded by zombies and reduced to subsistence living. The best-seller, The Forest of Hands and Teeth, was beautifully evocative of a rural idyll with an unseen menace. These aren't typical zombie stories; it's not about the science and the slobber but more about the emotions of seeing your loved ones dead, but walking around. Have just started it, and am already hooked.
Heresy by SJ Parris - got my hands of an uncorrected proof of this one. It's a historical thriller with a touch of the mystical as a former monk in the 1500s gets involved in a series of murders that may have a link to black magic. Again, just started... but so far it's good. Historical detail is great but not so overwhelming to take away from the characters.
So... there you have it. I owe about nine reviews. Will hopefully get them done in the next week; I promise!

kisses for jacqueline carey’s newest novel

Like the previous review, I was ecstatic to receive a review copy of Jacqueline Carey’s latest book on my desk; so excited I almost faked an illness so I could go home and start reading it straight away.
Naamah’s Kiss is the first in a new series set in Carey’s unique ‘alternate history’ world of Alba, Terre d’Ange and now Ch’in. The previous series have been populated mainly with characters from Terre d’Ange, but this one features a young girl of mixed heritage from the less civilised land of Alba.
Carey’s books are renowned for their potent sexuality, with her Kushiel’s Legacy series conjuring up images of bondage and other alternate forms of physical love.
While this is titillating and surely led to her immediate popularity – particularly the first three books Kushiel’s Dart, Kushiel’s Chosen and Kushiel’s Avatar – the emotional depth of her characters and the detailed imagery of her world have stood Carey in good stead; cementing her place in the fantasy world’s pantheon.
In particular, the books featuring the D’Angeline prince, Imriel de la Courcel, are deeply moving on a number of levels as the boy grows into a man haunted by his mother’s treachery and his desire for the one person he should avoid. These books also look at the impact of honour on love and of love on honour.
Again, Carey’s works are among a handful of books that I read over and over again, much like those from Robin Hobb. So, the new series has been much anticipated.
And I wasn’t disappointed. Naamah’s Kiss is exquisite; the new character of Moirin is as feisty as the original, iconic Phede no Delaunay and brings with her the added interest of inherited magic. Moirin is sent on a mission of sorts, she doesn’t know where she’s going or why, but she realises that she needs to follow the ‘divine spark’ that she carries; graced to her by her goddess.
Adventures in love, loyalty, magic and acceptance lead Moirin from the safety of her reclusive mother’s side, to the far side of the world; Ch’in.
It is clear that Carey’s world is an alternate to our own, laid over our historical Renaissance period – Terre d’Ange is France, Alba is England, Ch’in is China. But this newly realised version is finer, more glittering and less prosaic.
In Carey’s world, gods and angels walked the land, dragons perch on mountain tops and religions are accepting, encompassing and tolerant – after all, the state religion of Terre d’Ange has a precinct dedicated to love in all its forms; and a companion of their god, Naamah, was the first prostitute in recorded history... and she’s worshiped for it!
It is this clever layering of fantasy over reality that makes Carey’s books such delightful reads – they are not truly alien and therefore more easily understood but those who aren’t used to the fantasy genre. More than that, though, is the fact that they are beautifully written.
Carey’s works are not difficult to read – it’s not all highly structured prose and strands of intellectual thought – but they do flow wonderfully, as good fiction should, and bring the reader into her world as easily as looking in a mirror.
As always, I recommend readers start at the beginning with Carey’s early works, but with Naamah’s Kiss you can feel comfortable in reading it as a stand-alone novel – with the joy of more to come.

Naamah’s Kiss by Jacqueline Carey is published by Gollancz and is available from good book stores and online.

good, bad and terrible

Niki Bruce reviews a number of recent book releases.

THIS time of the year a huge number of new releases land on the desks of book reviewers around the world as publishing companies gear up for the Christmas frenzy of book buying. And so, instead of inflicting numerous reviews on our readers, here is a run-down of some of the books I've been reading for the last month or so. Enjoy.

Transition
Iain Banks (Little, Brown)
Known for splitting his persona between literary thrillers under this name, Iain Banks, and hard-core science fiction under the name Iain M Banks, this British author has combined both sides in his latest book, Transition. The premise is sci-fi – a group of people have discovered a way to travel between alternate realities – but the novel's structure, tone and concepts are literary. Which makes Transition a somewhat difficult read for those looking for either genre. If you prefer your sci-fi to have aliens and battles, this is not for you. If you like your literature to have a foot in reality, Transition may not suit you either. If, however, you are a discerning reader looking for something that pulls sci-fi up the literary ladder, then Transition is just what the doctor ordered.

Fire
Kristin Cashore (Gollancz)
This is the second book from Cashore about her world peopled by 'Gracelings' – individuals born with a particular ability to do something better than anyone else. These talented people could be the best cooks in the world, the best soldiers, painters, whatever. They are identified by their two-coloured eyes and are 'owned' by the King. In Fire, Cashore moves away from her first world to one that's also full of 'monsters' – brightly coloured and vicious creatures that draw in ordinary people, only to kill them. There is, however, one human monster, who has her own set of skills – much like the Gracelings – and who must decided whether to be true to nature or not. Fire is classic fantasy – there's also a strong thread of romance twisting through the book – and will be a welcome read for lovers of this genre.

The Dead Path
Stephen M Irwin (Hachette)
I have to admit that it took me quite a long time to get into this book. On paper it appears to be an interesting story; Nicholas returns to Australia after the death of his wife in England, and discovering that he can now see ghosts, only to find that they've followed him home. However, there's something irritating about Nicholas; his inability to get over his wife's death, his self-pity, his self-imposed guilt and his avoidance of his past. Still, once that mysterious past comes back to haunt him – as a child his best friend was murdered quite gruesomely – the story really gets going. Set in suburban Australia, The Dead Path may be a little alien for non-Australian readers in some ways, but the authenticity of the terror makes up for it. And as the action gets going the book moves along smartly. There's a question as to whether Nicholas is really seeing the creatures, ghosts and horrors that assault him, after all he could simply be mad, but that ambiguity makes up for the slow start. An interesting novel in the horror genre.

Prophecy's Ruin
Sam Bowring (Orbit Books)
This is the first in a new fantasy series from Australian author Sam Bowring, The Broken Well trilogy, and looks set to be a ripper of a yarn in classic fantasy style. For thousands of years the world has been separated into Dark and Light (of course) but there is a prophecy about a 'blue haired child' who will grow into an immense power and bring an end to the split. Naturally enough when rumour of a blue-haired child surfaces, the minions of both sides race to claim the power. Unfortunately – for the child as much as anyone else – something goes wrong and instead of one power there are suddenly two. Bowring's story is complex and detailed – the bad guys aren't all bad and the good guys aren't all good for instance. There are a number of intricate plots and the characters are relatively well-developed. It will be interesting to see what happens in the second book. This is one for true fantasy lovers.

Pliny's Warning
Anne Maria Nicholson (HarperCollins)
I'd like to be able to say that this vaguely eco-thriller is an absolute page-turner; but I just can't. Pliny's Warning came too late; after I'd plowed through this jumbled of history, romance, science and semi-Mafia themes. Frances is a vulcanologist (yep, someone who studies volcanos) who's moved to Italy, near Vesuvius of course, to work after some sort of personal and professional disaster in her homeland of New Zealand. She's studying the possibility that the world's most famous volcano will erupt again. Naturally enough she discovers that yes, it probably will, and pretty soon too. Unfortunately, the local university has been corrupted by Italian businessmen (who may be Mafia) and won't listen to Frances' warnings. There's also a side plot of the poor musician living in her building and a rugged Italian vulcanologist who's possibly in love with Frances. I can't quite put my finger on why this book just doesn't work. It could be the heavy-handed descriptive passages of rustic Italian life, or the illogical intuitive jumps made by the characters or even just the subject matter. Whatever it is, Pliny's Warning has lost something along the way.

The Cold Kiss of Death
Suzanne McLeod (Gollancz)
McLeod returns with the second in her Spellcrackers.com alternate reality series. The books are full of ghosts, witches, fairies (of the magical kind), vampires, werewolves and a mishmash of other supernatural beings. The central character is Genny – the only Sidhe living in London. She's not exactly a witch but she works for Spellcrackers.com, a company that basically cleans up magical problems, so she's a kind of cleaner. But her Sidhe – or high faery – blood means she's susceptible to a number of dangers, including among others, vampires. McLeod's books are punchy and modern, which reminds the reader of Laurell K Hamilton's popular Anita Blake, Vampires Hunter novels. However, there's a very 'English' feel to these stories. The Cold Kiss of Death is a great example of the still growing genre of 'supernatural in the real world' that continues to take up the shelves at book stores around the world.

Mirror Space
Marianne de Pierres (Orbit Books)
Mirror Space is the third book in de Pierres' The Sentients of Orion series, which has been described by numerous reviewers as 'Space Opera supreme'. The universe of this book is set far into the future where humans are now described as 'humanesques', where many aliens exist and where some humans and aliens have become 'post-species', ie. Existing without physical bodies. The story follows a feisty heroine, Mira Fedor who is the only woman to be accepted as a pilot by the living spaceships known as biozoon. She's been caught up in intergalactic politics, kidnapped by Extros (beings without bodies) and her planet has been invaded. The story just goes from unbelievable to ridiculous but it's such fun to read that you simply suspend all disbelief and read on. This is quality Space Opera with battles, aliens, romance, technology and humour. However, it's probably a good idea to read the first two books so you're not too confused.

First published at The Straits Times blogs on December 05, 2009