The Poison Dairies is an odd little book on first look – it's published by HarperCollins' Children's Books imprint oddly enough considering both the sexual content, the poisoning and the betrayal at the centre of the story.
Set in England somewhere between the Reformation and the Restoration, The Poison Dairies tracks the life of Jessamine, the only child of a country doctor whose speciality seems to be healing through the use of plants.
The book opens with Jessamine carefully preparing the berries of the Belladonna plant, one of the most virulent poisons of their times.
The descriptions of the glossy, black berries and the fascination Jessamine has with them, her proprietorial air perfectly conveys the Gothic nature of this book.
Even the authoring – "by Maryrose Wood, based on a concept by The Duchess of Northumberland" – harks back to times past, of 18th century lady authors and overblown Gothic romances.
But The Poison Diaries is much more substantial that those tomes; there is a sharp clarity of phrase in Wood's prose and the dark, mythical characters of Weed – a foundling – and Oleander – the dark prince – seems informed by the stories of the Duke of Northumberland's historical family seat, Alnwick Castle, which broods over Jessamine's life.
It's not entirely clear who, or what, Weed is. Nor does one learn why Oleander chooses to speak to Jessamine. The magical nature of both men is never clearly defined, nor, in fact, fully proved.
But the sense of mystery and unease add an edge to what could have been an ordinary story.
This is a romance, yes, with Jessamine falling for Weed, but it is also, almost, a murder mystery. The Poison Dairies is a sweetly, twisted story about obsession and love – both romantic and familial.
Like a number of books I've recently read and reviewed – White Cat by Holly Black in particular – betrayal in the heart of one's home; the bosom of the family, also resonates in The Poison Dairies denouement.
The Poison Diaries by Maryrose Wood, based on a concept by The Duchess of Northumberland, is published by HarperCollins and is available from good books stores and online.
Showing posts with label history. Show all posts
Showing posts with label history. Show all posts
Wednesday, July 28, 2010
oracle by jackie french leads young readers to historical fiction via adventure
Jackie French is an award-winning children's author from Australia, who has made a name for herself with a number of illustrated books for younger readers. Oracle, for children aged 10 to 14 years, is her first step into the slightly older age group and she's handled it nicely.
Set in Mycenae in 1200BC, Oracle follows the story of a sister and brother, born into a primitive farming village, but destined for greater things.
When Thetis is born, her brother Nikko rescues her from being abandoned on the mountain by their father; a girl-child is an unwanted extra mouth to feed. From that day forward, Nikko is her protector, likewise tarnished with the brush of having cheated the gods of a death.
Brow-beaten by the village, Thetis remains mute until the age of five when suddenly she becomes able to speak – unfortunately she can only speak the truth, much to the concern of her parents.
So when their parents and the village elders see a way to get rid of the pair in exchange for escaping the wrath of the Mycenae King, the siblings are bundled off to the city to be court entertainers.
Becoming favourites, Thetis continues to remain mute until she utters a dreadful prophecy and dooms them all.
French's version of the founding of the Oracle at Delphi – which the book is based on – is touched by clever involvement of science and skirts the mystical and mythical, while at the same time creating a sense of wonder.
Interestingly, the children – especially Thetis – come across as being so much wiser than the adults that rule their lives. The smart inclusion of Euridice, a "horse dancer" who can ride like a man and use a bow just as well, reinforces French's feminist version of ancient Greece.
In fact, Nikko seems almost a secondary character, certainly he seems weak when compared to his younger sister.
Nikko becomes enamoured of their luxurious life, he is the support for Thetis in her performances and not the star of the show, he's also relatively ineffectual in protecting her after she grows up and becomes, very much, her own woman.
The obvious sub-plot – little girls can grow up to be powerful women and can do anything a boy/man can – is easily read by adults.
However, the targeted age group will most likely just read Oracle for what it is; a rollicking adventure tale set in ancient times.
French has cleverly included a "scientific" explanation for the visions seen by the first Oracle of Delphi and her descendants; she also describes how being a priestess was a way women escaped from the oppression of their male relatives.
Oracle has also been turned into teaching materiel for Australian schools, with the publishers providing extensive notes on how to use the book in the classroom. Obviously the best way to get book sales is to ensure it's required reading by every Australian school kid.
Still, Oracle is well-written, with strong central characters and enough historical detail to ensure authenticity; the aftermath of a natural disaster is particularly well done – influenced, perhaps, by the recent occurrence of similar things in the real world.
Oracle by Jackie French is published by Angus&Robertson, an imprint of HarperCollins, and is available from good book stores and online.
Set in Mycenae in 1200BC, Oracle follows the story of a sister and brother, born into a primitive farming village, but destined for greater things.
When Thetis is born, her brother Nikko rescues her from being abandoned on the mountain by their father; a girl-child is an unwanted extra mouth to feed. From that day forward, Nikko is her protector, likewise tarnished with the brush of having cheated the gods of a death.
Brow-beaten by the village, Thetis remains mute until the age of five when suddenly she becomes able to speak – unfortunately she can only speak the truth, much to the concern of her parents.
So when their parents and the village elders see a way to get rid of the pair in exchange for escaping the wrath of the Mycenae King, the siblings are bundled off to the city to be court entertainers.
Becoming favourites, Thetis continues to remain mute until she utters a dreadful prophecy and dooms them all.
French's version of the founding of the Oracle at Delphi – which the book is based on – is touched by clever involvement of science and skirts the mystical and mythical, while at the same time creating a sense of wonder.
Interestingly, the children – especially Thetis – come across as being so much wiser than the adults that rule their lives. The smart inclusion of Euridice, a "horse dancer" who can ride like a man and use a bow just as well, reinforces French's feminist version of ancient Greece.
In fact, Nikko seems almost a secondary character, certainly he seems weak when compared to his younger sister.
Nikko becomes enamoured of their luxurious life, he is the support for Thetis in her performances and not the star of the show, he's also relatively ineffectual in protecting her after she grows up and becomes, very much, her own woman.
The obvious sub-plot – little girls can grow up to be powerful women and can do anything a boy/man can – is easily read by adults.
However, the targeted age group will most likely just read Oracle for what it is; a rollicking adventure tale set in ancient times.
French has cleverly included a "scientific" explanation for the visions seen by the first Oracle of Delphi and her descendants; she also describes how being a priestess was a way women escaped from the oppression of their male relatives.
Oracle has also been turned into teaching materiel for Australian schools, with the publishers providing extensive notes on how to use the book in the classroom. Obviously the best way to get book sales is to ensure it's required reading by every Australian school kid.
Still, Oracle is well-written, with strong central characters and enough historical detail to ensure authenticity; the aftermath of a natural disaster is particularly well done – influenced, perhaps, by the recent occurrence of similar things in the real world.
Oracle by Jackie French is published by Angus&Robertson, an imprint of HarperCollins, and is available from good book stores and online.
Labels:
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Monday, May 10, 2010
historial thriller featuring an ex-monk who believes in aliens & tracks down murderers by sj parris
Heresy from SJ Parris is the first in what will be a series of historical thrillers set in the 1500s and staring Giodarno Bruno, former monk, magician, scientist and heretic.
SJ Parris is, in fact, the author Stephanie Merritt, a well-known British critic and journalist who has written for The Times, the Daily Telegraph and who was also the Deputy Literary Editor at The Observer. She's also published three books; two works of fiction and a memoir about depression.
With Heresy, the author has moved into new territory by creating an interesting new character with both depth and human foibles writ large. Although the 'murder mystery set in ancient times' concept isn't exactly new – in fact, the publishers suggest in a book blurb that readers who liked The Name of Rose or CJ Sansom's work should buy this book – Heresy is an interesting take on the idea.
Bruno is a mass of contradictions. Although he spent years in an Italian monastery, he has an inquiring mind and doesn't toe the line. Heresy opens with a humorous explanation as to why Bruno is no longer a monk.
But the real meat of the story comes years later as Bruno, now safe from the Inquisition in England, ends up working for Sir Francis Walsingham, spy-master for Queen Elizabeth I.
Sent to Oxford, the university is considered to be rife with rabid Catholics, Bruno's political investigations are interrupted by a series of murders, so he switches track. Helped by a beautiful young woman – he's no longer a monk, remember – and a series of letters implying that each death is linked to heresy of some sort, Bruno attempts to track and catch the murderer.
From the opening scenes of Bruno's youth, to the action-packed conclusion that includes hidden priests, secret loves, burly henchmen and scheming aristocrats, Heresy is a good read.
The pace is fast, the historical detail is not overwhelming – although the background information on religion in the period is a bit tedious – and the characters are well-developed. Merritt / Parris has a nice turn of phrase, although some of the cadence and terminology may be a little modern for purists, it makes for an easier read.
The 'Medieval thriller' genre is not new, there are the popular Hugh Corbett mysteries by Paul Doherty and Michael Jecks' Medieval West Country Mysteries series as well as Peter Tremayne's prolific Sister Fidelma series about a nun in 9th century Ireland.
But Merritt / Parris has given the genre a little more bite with her former monk who believes in extraterrestrial beings and astronomy, and who is neither 'holier than thou' nor a complete rake.
Heresy is a good start to what could be a substantial series of solid, fun, historical thrillers. Only time will tell if Giodarno Bruno will become as popular as some of the other characters in this genre.
Heresy by SJ Parris is published by HarperCollins and is available from good book stores and online.
SJ Parris is, in fact, the author Stephanie Merritt, a well-known British critic and journalist who has written for The Times, the Daily Telegraph and who was also the Deputy Literary Editor at The Observer. She's also published three books; two works of fiction and a memoir about depression.
With Heresy, the author has moved into new territory by creating an interesting new character with both depth and human foibles writ large. Although the 'murder mystery set in ancient times' concept isn't exactly new – in fact, the publishers suggest in a book blurb that readers who liked The Name of Rose or CJ Sansom's work should buy this book – Heresy is an interesting take on the idea.
Bruno is a mass of contradictions. Although he spent years in an Italian monastery, he has an inquiring mind and doesn't toe the line. Heresy opens with a humorous explanation as to why Bruno is no longer a monk.
But the real meat of the story comes years later as Bruno, now safe from the Inquisition in England, ends up working for Sir Francis Walsingham, spy-master for Queen Elizabeth I.
Sent to Oxford, the university is considered to be rife with rabid Catholics, Bruno's political investigations are interrupted by a series of murders, so he switches track. Helped by a beautiful young woman – he's no longer a monk, remember – and a series of letters implying that each death is linked to heresy of some sort, Bruno attempts to track and catch the murderer.
From the opening scenes of Bruno's youth, to the action-packed conclusion that includes hidden priests, secret loves, burly henchmen and scheming aristocrats, Heresy is a good read.
The pace is fast, the historical detail is not overwhelming – although the background information on religion in the period is a bit tedious – and the characters are well-developed. Merritt / Parris has a nice turn of phrase, although some of the cadence and terminology may be a little modern for purists, it makes for an easier read.
The 'Medieval thriller' genre is not new, there are the popular Hugh Corbett mysteries by Paul Doherty and Michael Jecks' Medieval West Country Mysteries series as well as Peter Tremayne's prolific Sister Fidelma series about a nun in 9th century Ireland.
But Merritt / Parris has given the genre a little more bite with her former monk who believes in extraterrestrial beings and astronomy, and who is neither 'holier than thou' nor a complete rake.
Heresy is a good start to what could be a substantial series of solid, fun, historical thrillers. Only time will tell if Giodarno Bruno will become as popular as some of the other characters in this genre.
Heresy by SJ Parris is published by HarperCollins and is available from good book stores and online.
Labels:
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Sunday, May 9, 2010
the devil's queen: a novel of catherine de medici, queen of france, by jeanne kalogridis, adds the spice of magic to history
A new novel about the historic personage of Catherine de Medici shows another side to a woman who has been blamed for the St Bartholomew's Day massacre of 1572, when thousands of Protestants were killed throughout France.
Jeanne Kalogridis' The Devil's Queen traces the life of a young girl, orphaned and taken in by relatives only because of her name and bloodlines. As the great granddaughter of Lorenzo the Magnificent, Catherine was a valuable trading piece in the politics of the 14th century.
Generally unloved and manipulated by everyone from her distant cousin, Giulio di Giuliano de Medici, Pope Clement VII, to her closer relatives like her aunt Clarice Strozzi (nee de Medici), Catherine never really had a chance to be herself.
During a rebellion in 1527, when the family was pushed out of Florence, Catherine was imprisoned twice, treated relatively harshly and threatened with death repeatedly. She was still only a child. After the fall of the rebels, Catherine was taken to Rome where her marriage was arranged to Henry, Duke of Orleans, the second son of King Francis I of France, at the age of fourteen.
From the time she moved to France, Catherine suffered from being ignored, being hated and being scorned as her husband openly took lovers and eventually flouted his mistress, Diane de Poitiers, who controlled Henry almost completely.
All of this, and much, much more, is generally known information about Catherine, but what Kalogridis has added is a touch of the supernatural and the macabre.
During Catherine's time there were a number of well-known and influential men who dabbled in the esoteric arts of magic, astrology and alchemy – despite them being banned by the Roman Catholic Church.
In The Devil's Queen, Catherine is befriended by Cosimo Ruggieri an astrologer and magician who eventually followed her to France; and meets Monsieur de Nostredame (Nostradamus) who remains, even now, a powerful figure.
Kalogridis gives Catherine an esoteric bent, a belief in the real power of magic and the ruthlessness to ensure her children are born, live and survive. There's lots of blood and violence involved, and an eventual denouement that may, or may not, be true.
The problem with historical novels of fiction is the existence of facts and general knowledge about these personages; particularly those of great fame.
However, Kalogridis manages to imbue Catherine with a real honesty, a realistic personality and adds enough fiction to ensure the reader is never bored.
If you don't like novels full of politics, long names and plots within plots, The Devil's Queen is not for you. This is a tightly woven story of a historical period seen through the eyes of a lonely, abused and desperate woman; one who had to grab her future with her own hands to ensure she stayed alive.
The book follows her story through the birth of her children and the death of her husband and her heirs, until the reign of Henri of Navarre – Henri IV or Henri the Great, the first Bourbon monarch.
Catherine lived to the age of 69 and was considered to have been the most intelligent person to ever sit the French throne. Still, The Devil's Queen does her justice in many ways.
Kalogridis' research is impeccable, as is her eye for detail and her ability to add personality and warmth to long dead people and times. Despite the historic detail, The Devil's Queen does not drag, it is fast paced and absorbing.
The Devil's Queen is a solid historical novel with just enough fiction to add spice and titillate the reader.
The Devil's Queen by Jeanne Kalogridis is published by HarperCollins and is available from good book stores and online.
Jeanne Kalogridis' The Devil's Queen traces the life of a young girl, orphaned and taken in by relatives only because of her name and bloodlines. As the great granddaughter of Lorenzo the Magnificent, Catherine was a valuable trading piece in the politics of the 14th century.
Generally unloved and manipulated by everyone from her distant cousin, Giulio di Giuliano de Medici, Pope Clement VII, to her closer relatives like her aunt Clarice Strozzi (nee de Medici), Catherine never really had a chance to be herself.
During a rebellion in 1527, when the family was pushed out of Florence, Catherine was imprisoned twice, treated relatively harshly and threatened with death repeatedly. She was still only a child. After the fall of the rebels, Catherine was taken to Rome where her marriage was arranged to Henry, Duke of Orleans, the second son of King Francis I of France, at the age of fourteen.
From the time she moved to France, Catherine suffered from being ignored, being hated and being scorned as her husband openly took lovers and eventually flouted his mistress, Diane de Poitiers, who controlled Henry almost completely.
All of this, and much, much more, is generally known information about Catherine, but what Kalogridis has added is a touch of the supernatural and the macabre.
During Catherine's time there were a number of well-known and influential men who dabbled in the esoteric arts of magic, astrology and alchemy – despite them being banned by the Roman Catholic Church.
In The Devil's Queen, Catherine is befriended by Cosimo Ruggieri an astrologer and magician who eventually followed her to France; and meets Monsieur de Nostredame (Nostradamus) who remains, even now, a powerful figure.
Kalogridis gives Catherine an esoteric bent, a belief in the real power of magic and the ruthlessness to ensure her children are born, live and survive. There's lots of blood and violence involved, and an eventual denouement that may, or may not, be true.
The problem with historical novels of fiction is the existence of facts and general knowledge about these personages; particularly those of great fame.
However, Kalogridis manages to imbue Catherine with a real honesty, a realistic personality and adds enough fiction to ensure the reader is never bored.
If you don't like novels full of politics, long names and plots within plots, The Devil's Queen is not for you. This is a tightly woven story of a historical period seen through the eyes of a lonely, abused and desperate woman; one who had to grab her future with her own hands to ensure she stayed alive.
The book follows her story through the birth of her children and the death of her husband and her heirs, until the reign of Henri of Navarre – Henri IV or Henri the Great, the first Bourbon monarch.
Catherine lived to the age of 69 and was considered to have been the most intelligent person to ever sit the French throne. Still, The Devil's Queen does her justice in many ways.
Kalogridis' research is impeccable, as is her eye for detail and her ability to add personality and warmth to long dead people and times. Despite the historic detail, The Devil's Queen does not drag, it is fast paced and absorbing.
The Devil's Queen is a solid historical novel with just enough fiction to add spice and titillate the reader.
The Devil's Queen by Jeanne Kalogridis is published by HarperCollins and is available from good book stores and online.
Labels:
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Sunday, April 4, 2010
the historical romance of the elusive bride by stephanie laurens; a regency romp
Stephanie Laurens is one of Australia's most popular romance fiction authors, in fact, she's been voted the country's favourite romance author at least once.
In The Elusive Bride, Laurens continues the intrigue and romance begun in The Untamed Bride, the first book in her new The Black Cobra Quartet.
Just about all Laurens' books are set in Regency England – lots of dashing heroes, feisty maidens and talk about a 'well-turned leg', highwaymen and inheritances. Exactly the right ingredients for fabulous historical novels.
Now, while the general details of history and dress may be correct in Laurens' books, there is a touch of unreality in the actions of many of the women she describes. It seems that what is generally believed, historically, to have been the social mores and niceties of Regency England, things like no sex before marriage and a complete lack of knowledge about such sex, don't exist in these tales of romance.
While the swashbuckling gentlemen of Laurens' books appear mostly true to historical records, her heroines are much more modern – why, they even seem to go about having affairs and seducing said swashbuckling heroes.
This is great for the story, but perhaps not so historical.If this sort of thing bothers you, then Laurens' romances may not be for you. Still, Laurens' books are fiction and in every good romance there should be a bit of fantasy, right?
So, The Elusive Bride opens with Miss Emily Ensworth racing down a dusty hill in India clasping an important document to her heaving bosom, while blood-thirsty natives chase her. Oh yes, these books tend to be more than a little 'politically incorrect”.
By the way, Emily is in India to find herself a suitable husband. Apparently she's managed to go through all the eligible gentlemen in England and so is reduce to tracking one down in the colonies.
Emily escapes the natives, thanks to the self-sacrifice of a swashbuckling hero, and finds herself meeting up with a group of surly British officers; one of which makes a definite impact on our Emily.
The book proceeds with a feisty Emily deciding that she may have met her 'one' and her attempts to track him down and find out if he's the man she will marry. The poor bloke, of course, knows nothing about this. He's just got to put up with Emily adding herself to his very dangerous mission and trying to defend her from all sorts of other nasty natives – as well as trying not to give in and ravish her on the spot.
The Elusive Bride may not make historical sense, Emily may be a brazen little hussy who needs a good slap and a stiff talking to, but this is an enjoyable read. It isn't serious literature, but nor is it unreadable rubbish.
Laurens has a lovely way with dialogue, her characters are well-fleshed out and the plot mostly makes sense. The fact that no real man of Regency England would allow a woman to interfere with his dangerous mission for the crown, nor would he take her up on a night of hot sex without marrying her or dumping her afterwards, doesn't matter. Who cares about reality when you can just sit back with a nice box of chocolates and indulge yourself in an afternoon of light reading?
The Elusive Bride by Stephanie Laurens is published by Avon Books, an imprint of HarperCollins and is available from good book stores and online.
In The Elusive Bride, Laurens continues the intrigue and romance begun in The Untamed Bride, the first book in her new The Black Cobra Quartet.
Just about all Laurens' books are set in Regency England – lots of dashing heroes, feisty maidens and talk about a 'well-turned leg', highwaymen and inheritances. Exactly the right ingredients for fabulous historical novels.
Now, while the general details of history and dress may be correct in Laurens' books, there is a touch of unreality in the actions of many of the women she describes. It seems that what is generally believed, historically, to have been the social mores and niceties of Regency England, things like no sex before marriage and a complete lack of knowledge about such sex, don't exist in these tales of romance.
While the swashbuckling gentlemen of Laurens' books appear mostly true to historical records, her heroines are much more modern – why, they even seem to go about having affairs and seducing said swashbuckling heroes.
This is great for the story, but perhaps not so historical.If this sort of thing bothers you, then Laurens' romances may not be for you. Still, Laurens' books are fiction and in every good romance there should be a bit of fantasy, right?
So, The Elusive Bride opens with Miss Emily Ensworth racing down a dusty hill in India clasping an important document to her heaving bosom, while blood-thirsty natives chase her. Oh yes, these books tend to be more than a little 'politically incorrect”.
By the way, Emily is in India to find herself a suitable husband. Apparently she's managed to go through all the eligible gentlemen in England and so is reduce to tracking one down in the colonies.
Emily escapes the natives, thanks to the self-sacrifice of a swashbuckling hero, and finds herself meeting up with a group of surly British officers; one of which makes a definite impact on our Emily.
The book proceeds with a feisty Emily deciding that she may have met her 'one' and her attempts to track him down and find out if he's the man she will marry. The poor bloke, of course, knows nothing about this. He's just got to put up with Emily adding herself to his very dangerous mission and trying to defend her from all sorts of other nasty natives – as well as trying not to give in and ravish her on the spot.
The Elusive Bride may not make historical sense, Emily may be a brazen little hussy who needs a good slap and a stiff talking to, but this is an enjoyable read. It isn't serious literature, but nor is it unreadable rubbish.
Laurens has a lovely way with dialogue, her characters are well-fleshed out and the plot mostly makes sense. The fact that no real man of Regency England would allow a woman to interfere with his dangerous mission for the crown, nor would he take her up on a night of hot sex without marrying her or dumping her afterwards, doesn't matter. Who cares about reality when you can just sit back with a nice box of chocolates and indulge yourself in an afternoon of light reading?
The Elusive Bride by Stephanie Laurens is published by Avon Books, an imprint of HarperCollins and is available from good book stores and online.
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Wednesday, March 3, 2010
a woman's capacity to love
Niki Bruce reviews Tuscan Rose, historical fiction with a touch of magic realism.
BELINDA Alexandra is an Australian author who has garnered wide acclaim for her novels Silver Wattle and White Gardenia, both of which have strong female protagonists, who battle the vagaries of life before triumphantly overcoming all obstacles.
Like her previous novels, Tuscan Rose, also features a feisty young female heroine – in this case an Italian orphan, deposited at a nunnery – who must overcome not only her lack of family, but later, the vicissitudes of World War II.
Rosa is blessed with a talent for music, nurtured by the nuns of Santo Spirito in Florence, and manages to parlay her skills into a position as a governess at the home of a local aristocrat.
At the same time, Fascism is growing in Italy and war is being whispered about in Europe. A naive young girl, Rosa, manages to get herself caught up in another person's scandal and ends up accused of something quite horrible. Packed off to jail, she is once again accosted by the nastiness of human nature.
Tuscan Rose is a mix of historical fiction, romance and coming-of-age tale. A thin thread of magic realism winds its way through the story, however, offering the story a bit more depth and imagination.
Rosa has another talent – somehow she can tell where things originated. She uses this skill throughout the story to both add mystery to her background and to move the plot along. The search for her heritage is an additional storyline, which unfortunately is rather easy to spot early on in the book. But don't worry, there's a neat twist to even it out in the conclusion.
The plot of Tuscan Rose can be read as quite simplistic, there are the accepted tropes of orphan girl thrust into the world, all unknowing, and overcoming trials and tribulations – even the language used to describe it is cliched – but the book has a saving grace (sorry, couldn't resist).
Alexandra has a lovely turn of phrase and a competent understanding of women and the way they think. There is an acceptance of Rosa's weaknesses – her tendency to be too trusting, her innocence and her fickleness in love – but there is also a celebration of her strengths. Rosa loves passionately and ruthlessly protects those she loves; she endures physical and emotion hardship without complaint and, finally, she takes her revenge coldly but not viscously.
Like women the world over and throughout history, Rosa typifies all that is honourable in a woman's capacity to love. Alexandra manages to endow Rosa with all these attributes without becoming saccharine however, which is to her credit. Rosa's story could easily have fallen into the sappy, love-story genre without the author's deft skill.
True, Tuscan Rose is no great piece of literature, but it is a good read. The historical scholarship is detailed enough to satisfy lovers of historical fiction and the romance and personalities of the characters will entertain readers looking for a gentle read.
Tuscan Rose by Belinda Alexandra is published by HarperCollins and is available from good book stores and online.
BELINDA Alexandra is an Australian author who has garnered wide acclaim for her novels Silver Wattle and White Gardenia, both of which have strong female protagonists, who battle the vagaries of life before triumphantly overcoming all obstacles.
Like her previous novels, Tuscan Rose, also features a feisty young female heroine – in this case an Italian orphan, deposited at a nunnery – who must overcome not only her lack of family, but later, the vicissitudes of World War II.
Rosa is blessed with a talent for music, nurtured by the nuns of Santo Spirito in Florence, and manages to parlay her skills into a position as a governess at the home of a local aristocrat.
At the same time, Fascism is growing in Italy and war is being whispered about in Europe. A naive young girl, Rosa, manages to get herself caught up in another person's scandal and ends up accused of something quite horrible. Packed off to jail, she is once again accosted by the nastiness of human nature.
Tuscan Rose is a mix of historical fiction, romance and coming-of-age tale. A thin thread of magic realism winds its way through the story, however, offering the story a bit more depth and imagination.
Rosa has another talent – somehow she can tell where things originated. She uses this skill throughout the story to both add mystery to her background and to move the plot along. The search for her heritage is an additional storyline, which unfortunately is rather easy to spot early on in the book. But don't worry, there's a neat twist to even it out in the conclusion.
The plot of Tuscan Rose can be read as quite simplistic, there are the accepted tropes of orphan girl thrust into the world, all unknowing, and overcoming trials and tribulations – even the language used to describe it is cliched – but the book has a saving grace (sorry, couldn't resist).
Alexandra has a lovely turn of phrase and a competent understanding of women and the way they think. There is an acceptance of Rosa's weaknesses – her tendency to be too trusting, her innocence and her fickleness in love – but there is also a celebration of her strengths. Rosa loves passionately and ruthlessly protects those she loves; she endures physical and emotion hardship without complaint and, finally, she takes her revenge coldly but not viscously.
Like women the world over and throughout history, Rosa typifies all that is honourable in a woman's capacity to love. Alexandra manages to endow Rosa with all these attributes without becoming saccharine however, which is to her credit. Rosa's story could easily have fallen into the sappy, love-story genre without the author's deft skill.
True, Tuscan Rose is no great piece of literature, but it is a good read. The historical scholarship is detailed enough to satisfy lovers of historical fiction and the romance and personalities of the characters will entertain readers looking for a gentle read.
Tuscan Rose by Belinda Alexandra is published by HarperCollins and is available from good book stores and online.
First published on The Straits Times blogs on March 02, 2010
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a romantic echo in time
Niki Bruce talks to author Diana Gabaldon about her latest Outlander book.
THE Outlander series of books have had a remarkably long, and successful, life and they are still going strong. The seventh in the series, An Echo in the Bone, has just been released, continuing the amazing story of Claire and Jamie Fraser.
According to its author, Diana Gabaldon, the story continues with no obvious end in sight. "The story exists outside of myself," she tells me on the phone from Sydney where she is finishing up her publicity tour.
For those who have never read one of the Outlander books, the story starts in Scotland in the 18th century with a 'handsome young man in a kilt' and an English woman who is somewhere she shouldn't be.
The premise comes, oddly enough, from an old Dr Who episode featuring that particular guy in the kilt, as well as the concept of time travel says Gabaldon. For that is what Claire Beauchamp Randall Fraser is, a 20th century woman somehow sent back in time.
Still, Gabaldon says that the whole time travel concept came more from her character Claire than it did from the Dr Who episode. "I tried to beat her into submission," she says jokingly, but apparently the character had a mind of her own.
All seven books have focused on Claire and Jamie (the handsome Scott) and their abiding love through the ages; their children, relatives and friends and the odd historical personage.
Gabaldon started out as a university professor who decided one day that she was going to try writing a novel. With what seems to be characteristic determination, Gabaldon took to it like a duck to water and once on the path couldn't seem to stop.
"I didn't intend to publish the book, but I ended up with an agent by accident. We decided that I should stop writing while I could still lift the book, that's why there have been so many of them," says Gabaldon.
Her throwaway comment isn't as flippant as it seems; Gabaldon's books are literally doorstoppers, they're huge in size, scope, imagination, historical details and romance.
While the Outlander series has been described as historical fiction, it is really a romance – don't get me wrong, the historical detail and information is entirely there – but it's the love the two central characters have for each other that makes this such a lovely read.
In An Echo in the Bone, Jamie and Claire are in America at the time of the revolution. Jamie, as a Highland Scott and former supporter of Bonnie Prince Charlie, is not exactly in favour of the English retaining a hold on the colony.
And so, the adventure continues as Jamie and Claire – and Jamie's nephew Ian – attempt to live their lives without become too caught up in the growing conflict. Of course, this isn't going to happen as Jamie has always been a fighter and Claire has always held 'strong opinions about freedom'.
Characters from the entire series re-appear adding complications to the storyline, naturally enough, including Lord John Grey and Jamie's illegitimate son, William – who thinks he is John's son. Jamie's adopted son Fergus is mixed up with the American rebels as well, and as Jamie and Claire attempt to return to Scotland calamity befalls them.
At the same time, Claire and Jamie's daughter Brianna, her husband Roger and their two children, have returned to modern times and are living in Scotland in Jamie's old home. The couple returned in the previous book because of their daughter's illness that could only be fixed with modern medicine. However, their idyllic life is about to come crashing down around the family as the both the past and the future catch up with them.
Medicine is a major theme throughout the Outlander series as Claire starts out as a nurse and becomes a doctor; a 'witch' or 'white lady' for the primitive past, since she knows about germs, creates basic penicillin and even comes up with a rough anesthetic during her forays into the past.
The 'science' of how this family manages to travel through time is relatively believable – based as it is on the use of 'ley lines' or the Earth's magnetic fields and some complicated, but verifiable, physics – 'unified field theory' anyone? Gabaldon understands it, at any rate, and her explanation is confident and reassuring.
In Echo in the Bone, Gabaldon leaves the reader with a major cliff-hanger, although she says she did try to tie up some loose ends. In the previous book – A Breath of Snow and Ashes – her fans panicked and assumed that because she'd tied up all the storylines, that it was the last book. So, Gabaldon says she had to leave something hanging this time around.
Unfortunately it takes about three years for Gabaldon to write an Outlander book – which mean fans will be waiting a while to have the latest cliff-hanger sorted out. Gabaldon says that the books take so long, not just because of the immense amount of research she does, but also because she's a very slow writer.
"I'm a slow, fiddly writer. I don't write anything except the actual text; I don't write an outline so I don't know what's going to happen or where the story is going. I start with a kernel of a sentence, build it into a scene over a couple of days. And I assemble a mental timeline about the sequence of events. Then pieces just coalesce," says Gabaldon.
She also does the research at the same time as she writes the story, which means sometimes visiting historical places a number of times, as she did for a major battle in An Echo in the Bone.
So, those who are waiting with bated breath for the next installment of Jamie and Claire's story will be waiting for a while. However, there's a graphic novel on the way in September 2010, following the story from the perspective of one of the other characters, which should keep the faithful happy.
THE Outlander series of books have had a remarkably long, and successful, life and they are still going strong. The seventh in the series, An Echo in the Bone, has just been released, continuing the amazing story of Claire and Jamie Fraser.
According to its author, Diana Gabaldon, the story continues with no obvious end in sight. "The story exists outside of myself," she tells me on the phone from Sydney where she is finishing up her publicity tour.
For those who have never read one of the Outlander books, the story starts in Scotland in the 18th century with a 'handsome young man in a kilt' and an English woman who is somewhere she shouldn't be.
The premise comes, oddly enough, from an old Dr Who episode featuring that particular guy in the kilt, as well as the concept of time travel says Gabaldon. For that is what Claire Beauchamp Randall Fraser is, a 20th century woman somehow sent back in time.
Still, Gabaldon says that the whole time travel concept came more from her character Claire than it did from the Dr Who episode. "I tried to beat her into submission," she says jokingly, but apparently the character had a mind of her own.
All seven books have focused on Claire and Jamie (the handsome Scott) and their abiding love through the ages; their children, relatives and friends and the odd historical personage.
Gabaldon started out as a university professor who decided one day that she was going to try writing a novel. With what seems to be characteristic determination, Gabaldon took to it like a duck to water and once on the path couldn't seem to stop.
"I didn't intend to publish the book, but I ended up with an agent by accident. We decided that I should stop writing while I could still lift the book, that's why there have been so many of them," says Gabaldon.
Her throwaway comment isn't as flippant as it seems; Gabaldon's books are literally doorstoppers, they're huge in size, scope, imagination, historical details and romance.
While the Outlander series has been described as historical fiction, it is really a romance – don't get me wrong, the historical detail and information is entirely there – but it's the love the two central characters have for each other that makes this such a lovely read.
In An Echo in the Bone, Jamie and Claire are in America at the time of the revolution. Jamie, as a Highland Scott and former supporter of Bonnie Prince Charlie, is not exactly in favour of the English retaining a hold on the colony.
And so, the adventure continues as Jamie and Claire – and Jamie's nephew Ian – attempt to live their lives without become too caught up in the growing conflict. Of course, this isn't going to happen as Jamie has always been a fighter and Claire has always held 'strong opinions about freedom'.
Characters from the entire series re-appear adding complications to the storyline, naturally enough, including Lord John Grey and Jamie's illegitimate son, William – who thinks he is John's son. Jamie's adopted son Fergus is mixed up with the American rebels as well, and as Jamie and Claire attempt to return to Scotland calamity befalls them.
At the same time, Claire and Jamie's daughter Brianna, her husband Roger and their two children, have returned to modern times and are living in Scotland in Jamie's old home. The couple returned in the previous book because of their daughter's illness that could only be fixed with modern medicine. However, their idyllic life is about to come crashing down around the family as the both the past and the future catch up with them.
Medicine is a major theme throughout the Outlander series as Claire starts out as a nurse and becomes a doctor; a 'witch' or 'white lady' for the primitive past, since she knows about germs, creates basic penicillin and even comes up with a rough anesthetic during her forays into the past.
The 'science' of how this family manages to travel through time is relatively believable – based as it is on the use of 'ley lines' or the Earth's magnetic fields and some complicated, but verifiable, physics – 'unified field theory' anyone? Gabaldon understands it, at any rate, and her explanation is confident and reassuring.
In Echo in the Bone, Gabaldon leaves the reader with a major cliff-hanger, although she says she did try to tie up some loose ends. In the previous book – A Breath of Snow and Ashes – her fans panicked and assumed that because she'd tied up all the storylines, that it was the last book. So, Gabaldon says she had to leave something hanging this time around.
Unfortunately it takes about three years for Gabaldon to write an Outlander book – which mean fans will be waiting a while to have the latest cliff-hanger sorted out. Gabaldon says that the books take so long, not just because of the immense amount of research she does, but also because she's a very slow writer.
"I'm a slow, fiddly writer. I don't write anything except the actual text; I don't write an outline so I don't know what's going to happen or where the story is going. I start with a kernel of a sentence, build it into a scene over a couple of days. And I assemble a mental timeline about the sequence of events. Then pieces just coalesce," says Gabaldon.
She also does the research at the same time as she writes the story, which means sometimes visiting historical places a number of times, as she did for a major battle in An Echo in the Bone.
So, those who are waiting with bated breath for the next installment of Jamie and Claire's story will be waiting for a while. However, there's a graphic novel on the way in September 2010, following the story from the perspective of one of the other characters, which should keep the faithful happy.
For fans of the series, An Echo in the Bone, is a tour de force. There is enough action, intrigue, love, sex, romance, history, blood, gore and betrayal to keep anyone happy. Gabaldon has again delivered her signature interweaving plots and strong characters, both old favourites and new friends. All in all, if you have even a vague interest in historical fiction and/or romance, you can't pass up An Echo in the Bone and the Outlander series as a whole.
If, however, you've never read an Outlander novel, you really should start at the beginning, otherwise you'll not only miss all the adventure, but you'll have no idea of who anyone is. Luckily the next one won't be out for a couple of years, so you'll be able to finish the first seven in time for number eight.
An Echo in the Bone by Diana Gabaldon is published by Orion Books and is available from good book stores and online.
If, however, you've never read an Outlander novel, you really should start at the beginning, otherwise you'll not only miss all the adventure, but you'll have no idea of who anyone is. Luckily the next one won't be out for a couple of years, so you'll be able to finish the first seven in time for number eight.
An Echo in the Bone by Diana Gabaldon is published by Orion Books and is available from good book stores and online.
First published on The Straits Times blogs on December 03, 2009
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